One hour one to one coaching in a masterclass situation in the heart of Stockholm.
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Sunday 13th November
Biografi – John Lundgren is a dramatic baritone with an expressive stage appearance. He combines his powerful voice with an exquisite, theatrical understanding of the dramatic, operatic repertoire and among his signature roles you find remarkable Wagner roles such as The Flying Dutchman and Kurwenal and often also the evil characters – the bad guys of the operatic literature – like Scarpia in Tosca and Pizzaro in Fidelio.
Sunday 18th September
Hillevi Martinpelto is a world renowned soprano and one of our times foremost interpreters of the Mozart heroines ranging from Pamina (die Zauberflöte), Fiordiligi (Cosi fan tutte), Contessa Almaviva (Nozze di Figaro), Donna Anna (Don Giovanni), Elettra (Idomeneo), Vitellia (Clemenza di Tito). Besides Mozart she has also been praised for other roles, such as; Aida, Desdemona (Otello), Elisabetta (Don Carlo) Alice (Falstaff) Leonora (Trovatore), Amelia (Un Ballo), Iphigénie (Aulide & Tauride), Tatiana (Eugen Onegin, Agathe (Freischütz), Rezia (Meistersinger), Elsa (Lohengrin), Elisabeth (Tannhäuser), Marguerithe (Faust by both Gounod and Spohr) and Marschallin (Der Rosenkavalier).
The concert repertoire is extensive too: Handel (Messiah), Bach (B minor Mass), Verdi and Brahms (Requiem), Wagner (Wesendoncklieder), Strauss (Vier Letzte Lieder), Schönberg (Gurrelieder), Zemlinskis (Lyric Symphonie), Mahler (Symphonies 2, 4 and 8) and Beethoven (Symphonie 9) to mention some.
Sunday 6th February
With her “beguiling tone and unfailing musicality” (Gramophone, 2020), Camilla Tilling has been performing on the world’s leading opera, concert and recital stages for over two decades while simultaneously building an impressive discography. Her most recent releases include Jugendstil songs 1898 – 1916, a “beautifully paced album of Romantic and Expressionist songs” (BBC Music Magazine, 2020), recorded with long-time pianist Paul Rivinius; Die Schöpfung with Symphonieorchester des Bayerischen Rundfunks under Bernard Haitink and an acclaimed portrait of Gluck & Mozart Arias with Musica Saeculorum and Philipp von Steinaecker, which sit alongside her three earlier recital discs on the BIS label featuring Schubert, Strauss and Nordic Songs.
In the 2021/22 season Camilla joins Sinfonieorchester des Bayerischen Rundfunks and Sir Simon Rattle for Bach’s St Matthew Passion, the Oslo Philharmonic under chief conductor Klaus Mäkelä for Mozart’s Mass in C minor and, after their successful collaboration at Het Concertgebouw last season, Gustavo Dudamel and Los Angeles Philharmonic Orchestra for Mahler’s Symphony No.4. In addition to Beethoven, Symphony No.9 with Gianandrea Noseda and the National Symphony Orchestra Washington, Tilling joins Marc Soustrot and Real Orquesta Sinfónica de Sevilla for a programme of Mahler and Strauss and returns to Teatro Real, Madrid as Debussy’s La Damoiselle élue in a new staging by Alex Ollé, conducted by Juanjo Mena. At the Royal Swedish Opera, she will debut as Puccini’s Suor Angelica in their production of Il Trittico.